QCF: Styx: Master of Shadows

emember when Assassin’s Creed was marketed towards the thrill of eliminating your foes from the shadows? Sneaking to every target, stealthily moving around as if you were invisible to the naked eye, allowing your enemies only a second of reaction to your presence before it was too late for them to do anything about it—yeah, after seven years running, that shit is practically gone now.

Honestly, aside from the exception of Ground Zeroes, third-person stealth affairs are barely even a thing in games now, but before all hope of finding that great new game of “killing them softly” was lost, along came a little title by the name of Styx: Master of Shadows.

Now, mind you, the last time I loaded in software that was developed by Cyanide Studio, it was that licensed Game of Thrones game back in 2012; so yeah, my hopes were significantly tempered at first impression. It wasn’t long until after I metastasized a gross little clone doppelganger of myself, only so that I could send it running off, distracting all the meddlesome guards in my way as a decoy, that I realized, second chances are real, and this Next-Gen stealth adventure is living proof.

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QCF: Super Smash Bros for 3DS

hen a name becomes more and more distinguished over time like Super Smash Bros has, the occasional fumble or two can easily be overlooked, like it never even happened at all; and at the Chagrin of Super Smash Bros Brawl, the expectations for the latest sequels to bear the Smash name have never been higher.

While the 3DS version out of the pair of new games, has quickly gotten the label of being the B-choice release, the experience it has to offer is by no means the case. Everything that’s been jam packed into this port is very much faithful to those very same lofty expectations I mentioned earlier, and dare I say, Super Smash Bros for 3DS went on even further to surpass them.

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PPR Presents Play Play: Crypt of Necrodancer

onestly, I have to admit, it’s been too long since I unfolded the crinkley, vinyl mess of dance pad that I use to kick and stomp on during the pre-Guitar Hero days that Dance Dance Revolution ruled the block. I just couldn’t say no to the idea of crawling through dozens of dungeon floors through the sole use of sweet footwork on the mat—I have Brace Yourself Games to thank for that, with the their up and coming title, Crypt of The Necrodancer.

This Play Play is a little different, I decided what better way to showcase just how ridiculously awesome this whole thing really is, than to giving you all an inside-look on the slick moves being done by yours truly, via split screen. Check it out, and if you like what you see, you can buy the game on Steam Early Access!

Mail us at our new email Mailbag@presspauseradio.com, leave a voicemail at 469-PPR-TALK, and be sure to stop by at our Forums if you haven’t already registered and post your thoughts about the show. Finally, make sure to rate and subscribe to us on iTunes and YouTube, follow us on Twitch page and Twitter, and finally take part in our Facebook and Steam group!

QCF: Alien: Isolation

hen done right, playing a scary video game that manages to be legitimately unsettling, can trigger an entirely different dimension of fear that other forms of media will never be able to emulate, and that even goes for film. Agency is no longer a power struggle, but now a will to survive, and every action has an entirely different weight behind it’s consequence than a mere failure—the test of nerve under these settings can be maddening for some; if the impact is there of course, but in more recent years, it’s been lacking.

In a twist of strange coincidence, Ridley Scott’s Alien license within the realm of games have also been lacking, so it was only a matter of time before we would see the iconic Xenomorph return to its roots, and Sega’s efforts have never been so determined like they have with Alien: Isolation.

As far as scares and anxiety go, Alien Isolation gets the job done, and does it with gusto; but while it's certainly effective with the space frights, this isn't a sensation that can carry an entire game into an experience that's worth playing, and much is the case with the latest endeavor of the Sci-Fi monster show.

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PPR Presents Burger Time: World Kitchen

e’ve been doing Press Pause Radio for a really long time, and within that time, I’ve been able to accomplish a lot of things that were mere fantasies in my teenage youth, and I couldn’t be happier—but I’m hungry, and I think it’s high time I try to chase another fantasy of mine.

The culmination of Ser earning the number one spot on Raiden Fighters Jet’s Global Leaderboards, and my time with King of Kong has moved me into chasing towards my own spot in the superfluous echelon of holding a world record high score in a video game—and that games is one of my personal favorites, Burger Time.

The top 6 best scores of the world is currently curated on Twin Galaxies, with the top ranking score clocking in at 2,078,500 by a Mr. Matthew Grimm, while the bottom of the list sits at 7,800, belonging to Geoffrey Lin. For the next sixty days, I’m going stream a weekly attempt on Thursday night around 8:30 PM or so, and essentially strive to either take the top spot, or at the very least, try to beat out one of the remaining five scores for their spot among the list.

So naturally, I figured that this would make for an ideal feature for Press Pause Radio, where I could stream my efforts, and then chronicle the results of my crack at the score, making notes of what did or didn’t work in hopes that I’ll do better for the next run. So there you have it, I hope to have you guys cheer me on and watch from the comfort of Twitch, or troll on the whole thing all together, I don’t really give a shit as long as you guys sit back and watch!

QCF: Freedom Planet

ey there, I'm sure I can ask you all a question right—do you like Sonic the Hedgehog? Me too, and apparently so do the developers over at GalaxyTrail. Unlike most games that take influence from other IP's, Freedom Planet doesn't do anything to try to hide it, in fact, it displays it's love for the sonic franchise loudly and proudly.

The game really feels like a spiritual successor of sorts, which is great considering Sega managed to drive their own franchise into the ground. Although this game borrows a lot from classic Sonic's gameplay, it has its own unique flare and tone.

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QCF: Hyrule Warriors

or the last twenty-eight years, we’ve all welcomed Nintendo’s taciturn hero of legend with open arms, navigating him through the most dangerous quests, filled with perilous trials like pushing blocks, and lighting conspicuous torches, and…yeah, that’s right folks—twenty-eight years of this.

The legend of Zelda has certainly earned its iconic stature within games today, but aside from a few exceptions, it’s becoming more and more apparent that the formula and design of the more recent entries have arguably reached a point of tedium. The Big N’s elfin princess and hero could use a change of pace, and Nintendo answered enthusiastically answered that call.

Hyrule Warriors was the farthest thing I honestly has in mind for the franchise, but after finally getting my grubby mitts on it; I humbly, and most fortunately admit that I was wrong—not only is this experimental spin-off a refreshing palate-cleanser, but it’s a direction I wouldn’t mind the series returning to in subsequent releases for years to come.

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PPR 89

ell wouldn’t you know it—Press Pause Radio has done the one thing they haven’t done in pretty long while; record an actual podcast…

Yup, aside from all of the reviews, and features, and Play Plays, we were all able to hop back into the studio after a month long break; so as you can imagine, we’re playing a whole lot of catch-up in this episode. Andrew, Ser, and George pick things right up with Mountain Lions, Fatherhood, Hyrule Warriors, Destiny, Craigslist, Mortal Kombat X, infamous First Light, Crypt of The Necrodancer, Neo Geo CD, terrible relationship advice, Twin Tiger Shark, the definition of an indie game, and more!

Try to keep up, hell, who’re we kidding, we get sort of lost on this ride ourselves, but what else should we have we expected? We’re just happy to be back!

Mail us at our new email Mailbag@presspauseradio.com, leave a voicemail at 469-PPR-TALK, and be sure to stop by at our Forums if you haven’t already registered and post your thoughts about the show. Finally, make sure to rate and subscribe to us on iTunes and YouTube, follow us on Twitch page and Twitter, and finally take part in our Facebook and Steam group!

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